Difference between revisions of "Kitsch"
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[[Image:Kitsch2.jpg|framed|left|Enamelled dishes, central one labelled by CERAWARE.]] | [[Image:Kitsch2.jpg|framed|left|Enamelled dishes, central one labelled by CERAWARE.]] | ||
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+ | [[Image:Egg.jpg|framed|left|Another enamelled dish.]] | ||
[[Image:1983.jpg|framed|left|Rock art used on a commemorative stamp]] | [[Image:1983.jpg|framed|left|Rock art used on a commemorative stamp]] |
Revision as of 08:21, 22 April 2010
Archaeological Kitsch
Archaeological items of iconic status become the subject of modern copies and re-use of the imagery. New Zealand items are not immune.
Maori
Rock drawings seem to have been particularly prone to this - borrowings appearing on fabrics, glassware and stamps. O'Regan discusses this use in the context of cultural property[1].
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Colonial
Barry Curtis Park in South Auckland has volcanic rock walls, reconstructed from a nearby farm site. The unfortunate result is what happens when landscape architecture captures archaeological reconstruction.
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References
- ↑ O'Regan, G. 2008 The shifting place of Ngai Tahu rock art. in Sue O'Connor, Geoffrey Clark, Foss Leach (Eds), Islands of inquiry : colonisation, seafaring and the archaeology of maritime landscapes. Terra Australis 29 Accessed at http://epress.anu.edu.au/terra_australis/ta29/pdf/ch26.pdf